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In French the phrase L'ART DU NU - the art of the nude - is synonymous with an elegant Arrondissement of Paris. It is the world famous Crazy Horse, which has been unsurpassed for nearly half a century as a radical innovation that exalts the female form as both artistic expression and entertainment. More than five million people have watched the Crazy Horse show in its beautifully appointed theater on the Avenue George V, right next door to the House of Balenciaga and across the street from Yves St. Laurnet. Since its founding by Alain Bernardin, it has evolved through three distinct phases.
THE EARLY DAYS (1951 - 1960)
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The Crazy Horse was founded in 1951 by Alain Bernardin, an amateur artist and full-time antiques dealer who had long been fascinated by two seemingly disparate notions - the American Western movie genre with its mythological saloons and historic legends, and the beauty of the female form. His first show was on May 19, 1951, in the basement of a smart building on the Avenue George V, near the Place de l'Alma. It represented his attempt to break away from the post war fashion strictures of the Left Bank and the St. Germain des Pres. Although intrigued by the "Taboo" nude shows being staged by Boris Vian, Bernardin wanted to create something more striking than the traditional American striptease and yet acceptable to a wide audience. He played with light and color projected on a single girl without choreography. He experimented with strobe-like effects and other innovations. Some of his dancers became legends in their own right, and even today there are fond memories of Doda d'Hambourg and Rita Renoir.
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